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Nonetheless, people in the film industry were sounding alarm bells by the end of the year.With so many films produced, and with the budgets of many films having grown out of control, a very small number of Korean films from 2006 ended up turning a profit.

Pan-su, meanwhile, is played by acting god Baek Yoon-shik, who has already shown his mastery in films like Save the Green Planet and The President's Last Bang.Taken all together, the 2006 box office set a new record for revenues (over

Pan-su, meanwhile, is played by acting god Baek Yoon-shik, who has already shown his mastery in films like Save the Green Planet and The President's Last Bang.

Taken all together, the 2006 box office set a new record for revenues (over $1 billion) and sold the highest number of tickets since the late 1960s.

Artistically too, it was a year with several highlights.

The pacing is perfect, the images of the friends in arms racing through the city still stay with me, and there's a nice little placement of one of the symbols of capitalism that brought a bit of laughter to what is otherwise a short full of sorrow, even more sorrowful considering its partly based on a true story.

Speaking of true stories, let me jump out of the order of this omnibus and mention the last short, Kim Dong-won's documentary about Korean-Chinese immigrants, "Jongno, Winter." Immigration laws in South Korea give advantages to diasporic Koreans from North America and Europe that are not afforded those from China, Russia, or the former Soviet States (the "-Stans").

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Pan-su, meanwhile, is played by acting god Baek Yoon-shik, who has already shown his mastery in films like Save the Green Planet and The President's Last Bang.Taken all together, the 2006 box office set a new record for revenues (over $1 billion) and sold the highest number of tickets since the late 1960s.Artistically too, it was a year with several highlights.The pacing is perfect, the images of the friends in arms racing through the city still stay with me, and there's a nice little placement of one of the symbols of capitalism that brought a bit of laughter to what is otherwise a short full of sorrow, even more sorrowful considering its partly based on a true story.Speaking of true stories, let me jump out of the order of this omnibus and mention the last short, Kim Dong-won's documentary about Korean-Chinese immigrants, "Jongno, Winter." Immigration laws in South Korea give advantages to diasporic Koreans from North America and Europe that are not afforded those from China, Russia, or the former Soviet States (the "-Stans").

billion) and sold the highest number of tickets since the late 1960s.Artistically too, it was a year with several highlights.The pacing is perfect, the images of the friends in arms racing through the city still stay with me, and there's a nice little placement of one of the symbols of capitalism that brought a bit of laughter to what is otherwise a short full of sorrow, even more sorrowful considering its partly based on a true story.Speaking of true stories, let me jump out of the order of this omnibus and mention the last short, Kim Dong-won's documentary about Korean-Chinese immigrants, "Jongno, Winter." Immigration laws in South Korea give advantages to diasporic Koreans from North America and Europe that are not afforded those from China, Russia, or the former Soviet States (the "-Stans").

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